A sweeping red dogwood and pussy willow design with succulent paddle plant accents by Yoko Ishii Klingebiel and Naoko Suzuki repeats the rhythmic lines of Dorothy Napargardi’s Sandhills (not shown). Photo by BF NewhallPatricia Gillespie of Sharpstick Studio created a tall floral arrangment to echo David Nash’s wood sculpture Rip and Cross Cut Block Column, 2002. Photo by BF Newhall
By Barbara Falconer Newhall.
Nothing seems to be off limits to the 130-plus floral designers who’ve filled the courts and galleries of the de Young Fine Arts Museums of San Francisco this week with arrangements of flowers, twigs, branches, seed pods, pussy willows and succulents for the museum’s annual exhibition Bouquets to Art.
To my mind, these arrangements — which range from simple and lovely to downright spectacular — qualify as art.
But are they bouquets? I’m going to say yes.
Bouquets to Art at the de Young Fine Arts Museums of San Francisco, Golden Gate Park, March 19-23, 2013.
Laura Auyeung and Wilson Auyeung of Poppy’s Petalworks, San Leandro, created a bouquet of cork bursting with blood red blossoms and berries — a take on David Regan’s Cod Tureen, 1997, which exudes half-dead fish. Photo by BF NewhallA design by Arlene Boyle of Violetta, San Francisco, comments on a soapstone and walrus tusk carving by Judas Ullulak (Allulak), “Inukshuk” (Like a Person), 1981-82. Photo by BF NewhallDonnel Vicente Designs: Lots of moss and lots of green in response to Robert Rauschenberg’s “Realm (Tracks),” 1976 (in background). Photo by BF Newhall
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Please feel free to share links to my posts with one and all and to quote briefly from them in your own writing, remembering, of course, to attribute the quote to me and to provide a link back to this site.
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I go see this tomorrow – thanks for the preview, Barbara!
Enjoy! Let us know what you think.